Elizabeth “Liz” Thach, MW is the Distinguished Professor of Wine and a Professor of Management. He has been awarded Officier Commandeur in recognitiion of his 30 year membership with La Chaîne and is the recipient of the Bronze Star of Excellence, awarded for outstanding service by a Bailli.ĭr. Dame founded the American Branch of The Court of Master Sommeliers in 1986 and has played an active role in the expansion of the Master Sommelier program throughout America since that time. Dame is also an active member of the Confrérie de la Chaîne des Rôtisseurs, serving as the current Vice Conseiller Culinaire of the Monterey Peninsula Bailliage. This feat and his high score won him the coveted Krug Cup of the British Guild of Sommeliers in 1984. One of just seventy-three Americans to have passed the Master Sommelier Examination, Dame was the first to successfully pass all three parts in a single year. Dame's ability to transmit his passionate interest in wine make him a natural teacher. He holds Honorary Professorships at Purdue University and The University of South Carolina. He is currently the President of the Guild of Sommeliers Education Foundation. He is the first American to have served as President of the Court of Master Sommeliers Worldwide and assists restaurateurs and hoteliers in developing their wine programs in his role as Vice-President of Prestige Accounts, American Wine & Spirits of California. Dame, Master Sommelier brings an impressive blend of experience, expertise and enthusiasm to the world of wine and cuisine. Scot’s goal: make wines that express the highest level of quality across all varieties produced from estate grapes: Cabernet Sauvignon, Chardonnay, Pinot Noir, Sauvignon, Blanc, Syrah and Zinfandel.įrederick L. He selects the top three percent of grapes from more than 650 acres of vineyards. Living a winemaker’s dream, Scot has his choice of the finest grapes grown on the Trione family’s vineyards in the Russian River Valley, Alexander Valley and Sonoma Coast AVAs. Scot’s mentors are legendary his winemaking is influenced by years of training under such icons as Bill Bonnetti and Merry Edwards. degree in Agricultural Science, Enology, he enhanced his knowledge working on three continents - in North America here in Sonoma County, South Africa and Australia. After graduating from California State University, Fresno in 1990 with a B.
Scot brought years of relevant experience to the project. “The Triones basically gave me a blank piece of paper and said ‘Design your winery’.” Scot envisioned a straightforward facility, customized to accommodate small lots and hands-on winemaking. The family appointed him winemaker in 2005. Maybe swapping out the crunchy options for a couple more acoustic models would have made it even more useful, but this remains an appealing six-string multi-tool and a genuine problem-solver for many gigging players.In 2005, when the Trione family decided to build their legacy winery on their Home Ranch in Alexander Valley, they searched for a winemaker with design, construction and wine production experience – a tall order that Scot Covington filled. “The launch of the Acoustasonic Player Telecaster feels like a no-brainer move for Fender, spreading the potential appeal of what is virtually a whole new category of guitar.
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The feel of the bevelled arm rest and fingerboard edges says quality and comfort this is an inviting guitar and that Modern Deep-C neck will feel familiar to anyone who has played the electric Player series models.” A lovely dark rosewood fingerboard and bridge replaces the US version’s ebony, but that’s not anissue for us. “In terms of feel and build, we honestly can’t find a compromise between this Ensenada-made Player and the US Acoustasonics we’ve tried. MusicRadar: The onboard voice options might have been scaled down but the Acoustasonic Telecaster sticks the landing as a Player Series model, in what could be one of the guitars to make the hybrid build truly go mainstream.įender Player Series Acoustasonic Telecaster: The web says That, in sum, is the sort of thing the Acoustasonic format encourages. That said, it can be pressed into service of many different kinds of styles, perhaps some that are all your own. It is warmer, with a little more width than you’d expect from a Tele’s bridge pickup. Fender promises twang but this isn’t Pete Anderson levels of twang. Park yourself on position one for a more traditional electric guitar experience, but don’t necessarily expect a traditional Telecaster experience. In a sense, this is a sound that almost exists outside of the spectrum of acoustic/electric tones, and is sure to support pedalboard experimentation. The sound is just coming from the piezo and as you turn the blend control it adds drive. Here is where the true hybrid tones are, and as such, there are fewer references for what we are hearing.
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